Five Things To Know About Musical Interludes

Bob Kauflin explains one reason it’s so important to give worship music the space to breathe:

A few years ago I attended the Sunday gathering of a church that primarily sang traditional hymns. The voices carried the songs and there were few, if any, instrumental breaks between verses. The congregation sang robustly and the sound was beautiful.

But at the end of the meeting I was exhausted. Not only were the hymns in higher keys than I was used to, my voice never got to rest. I knew my experience was partly due to the inherent differences between singing hymns and contemporary songs. But because there were no musical interludes, I also had less time to reflect on the truths we were singing.

He lists five things every worship leader should think about when planning musical breaks. This is one we too often forget:

The turns I use don’t have to match the ones on the album.
Albums are generally recorded to be listened to, which means instrumental breaks can be creative. They can be as long or as short as we want, depending on the song, where it’s at on the album, or how it fits into the overall sound. But the 24 bar intro a band plays on the recording might not be as meaningful to the people I lead on Sundays

Check out the rest here. Great advice.

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